The Documentary Legend reflecting on His Latest War of Independence Film Series: ‘We Won’t Work on a More Important Film’

The veteran filmmaker has become more than a historical storyteller; he represents an institution, an unparalleled production entity. Whenever he releases project premiering on the PBS network, all desire an interview.

He participated in “an astonishing number of podcasts”, he says, nearing the end of nine-month promotional tour comprising four dozen cities, dozens of preview events plus countless media sessions. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”

Thankfully Burns is a force of nature, equally articulate in interviews as he is prolific in the editing room. The 72-year-old has gone everywhere from historical sites to popular podcasts to discuss his latest monumental work: this historical epic, a comprehensive multi-part historical examination that occupied a substantial portion of his recent years and premiered this week on public television.

Defiantly Traditional Approach

Comparable to methodical preparation amidst instant gratification culture, this documentary series intentionally classic, reminiscent of The World at War rather than contemporary online content and podcast series.

For the documentarian, who has built a career chronicling strands of US history including baseball, country music, jazz and national parks, its origin story is not just another subject but fundamental. “As I mentioned to directing partner Sarah Botstein recently, and she concurred: we won’t work on a more important film Burns states during a telephone interview.

Extensive Historical Investigation

The filmmaking team plus scripting partner Geoffrey Ward utilized numerous historical volumes plus archival documents. Numerous scholars, spanning age and perspective, offered expert analysis along with leading scholars from a range of other fields including slavery, Native American history and the British empire.

Characteristic Narrative Method

The documentary’s methodology will feel familiar to viewers of Burns’ earlier work. Its distinctive style included methodical photographic exploration across still photos, extensive employment of contemporary scores with performers reading diaries, letters and speeches.

This period represented the filmmaker cemented his status; decades afterwards, now the doyen of documentaries, he can apparently summon virtually any performer. Appearing alongside Burns during a recent appearance, acclaimed writer Lin-Manuel Miranda commented: “When Ken Burns calls, you say ‘Yes.’”

Extraordinary Talent

The decade-long production schedule provided advantages in terms of flexibility. Sessions happened at professional facilities, on location through digital platforms, a method utilized throughout the health crisis. Burns recounts collaborating with actor Josh Brolin, who found a few free hours in Atlanta to perform his role as the revolutionary leader before flying off to other professional obligations.

Brolin is joined by numerous acclaimed actors, Jeff Daniels, Morgan Freeman, Paul Giamatti, emerging and established stars, multiple generations of actors, accomplished dramatic artists, international acting community, skilled dramatic performers, small and big screen veterans, and many others.

Burns adds: “Honestly, this could represent the finest ensemble recruited for any project. Their contributions are remarkable. Their celebrity status wasn’t the criteria. It irritated me when questioned, ‘So why the celebrities?’. I explained, ‘These are artists.’ They represent global acting excellence and they vitalize these narratives.”

Nuanced Narrative

However, the lack of surviving participants, photography and newsreels compelled the production to depend substantially on primary texts, combining personal accounts of numerous historical characters. This allowed them to introduce audiences not only to the “bold-faced names” of that era along with multiple who are seminal to the story”, many of whom remain visually unknown.

Burns additionally pursued his particular enthusiasm for territorial understanding. “I have great affection for cartography,” he notes, “featuring increased geographical representation in this project compared to previous works I’ve done combined.”

International Impact

The production crew recorded across multiple important places across North America plus English locations to capture the landscape’s character and collaborated substantially with re-enactors. All these elements combine to tell a story more brutal, complicated and internationally important versus conventional understanding.

The film maintains, transcended provincial conflict concerning territory, taxes and political voice. Rather, the series depicts a violent confrontation that eventually involved more than two dozen nations and improbably came to embody described as “humanity’s highest ideals”.

Brother Against Brother

Initial complaints and protests leveled at London by far-flung British subjects throughout multiple disputatious regions rapidly became a bloody domestic struggle, setting brother against brother and neighbour against neighbour. In one segment, academic Alan Taylor comments: “The greatest misconception about the American Revolution is that it was something that unified Americans. It leaves out the reality that Americans fought each other.”

Nuanced Understanding

For him, the independence account that “for most of us is drowning in sentimentality and idealization and lacks depth and fails to properly acknowledge actual events, and all the participants and the incredible violence of it.

The historian argues, a movement that announced the world-changing idea of inherent human rights; a vicious internal conflict, pitting Patriots against Loyalists; and a global war, the fourth in a series of struggles among European powers for control of the continent.

Unpredictable Historical Moments

Burns also wanted {to rediscover the

Donald Rogers
Donald Rogers

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